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Young
Learners: Success For All
Like many other
economically challenged and academically suffering public schools
in the United States, Harriet Tubman Elementary School (located
in central Harlem directly behind the famed Apollo Theater), adopted
Success For All (SFA) as part of an initiative to promote literacy
among inner city school children. The school is part of the New
York City public school systems Chancellors District
a "distinction" placed on schools in danger of
losing local administrative control to the state.
I participate
in the implementation of this phonics-based reading program with
young native and non-native speakers of English, tutoring and mentoring
six-to-eight-year-olds who fail to progress through SFAs literacy-building
regime.
While the adoption
of SFA was well-intended, my observations as an educator, as an
ESL professional, and as a graduate student of language education
is that SFA is a uniquely inefficient means of literacy instruction.
As part of the philosophy behind SFA, its founder, John Slavin,
separates the act of reading from the act of comprehension. But
language has evolved specifically for the purpose of human communication.
It is a basic premise of language education that successful communication
only occurs as the result of comprehensible input. As one of the
four key modes of language, reading also requires that the language
student understand what is being read. The tenet of comprehensible
input is vital to the instruction of both ESL and native speakers
of English. Once comprehension is separated from language in any
of its four modes, language loses its purpose and meaning.
Although it
can be argued that phonics based instruction has its value, SFA
uses phonics as the sole medium for reading instruction. The identification
of certain sounds and sound blends takes precedence over coherent,
logical reading material. In the short illustrated stories written
for SFA, words containing a specific storys target sound or
sound blend are preferred to commonly occurring English words and
natural language use. As a result, the stories written for SFA frequently
make little or no narrative sense.
For ESL students
in SFA, this use of awkward syntax provides only unnatural input,
which either serves to contradict their growing knowledge of the
spoken language (as it does with their native English-speaking peers)
and/or reinforces the use of problematic language. I frequently
experience students substituting a more commonly heard word or phrase
for the awkward one SFA employs for the sake of phonic continuity
when reading the SFA stories aloud. As a language professional,
I recognize such utterances to be signs of genuine language acquisition
and development despite the conflict with SFA. In such instances,
the students utterances are technically incorrect according
to the SFA rubric. By attributing greater importance to students
knowledge of English phonics than to a more naturalized acquisition
of language, SFA hinders students ability to develop their
literacy as an extension of their spoken language skills.
SFA employs
the reading aloud of its stories by students and choral repetition
as the key modes of instruction to develop students reading
skills. Independent silent reading is only introduced as the Roots,
or beginning level students prepare to graduate to the Wings, or
advanced reading level. Reading aloud certainly is a vital part
of reading instruction, but it is also a basic premise of literacy
education that performance anxiety can often be a debilitating factor
in students success.
Students want
to succeed; they want to garner the approval and praise of their
teachers and mentors, and, accordingly, they want to "succeed"
at reading aloud. In my experience with the low performing students
I tutor at Harriet Tubman Elementary, those in the lower levels
of SFA tend to memorize the stories they are working on in class
as purely auditory input. When asked to read any of the words or
phrases contained in a given SFA story in another context, they
are unable to do so. Memorization of sounds, not true literacy has
most often been the result of this method. The last thing such motivated
yet low-performing students need is instructional methods that inherently
provide room for students to circumvent the lesson at hand with
such coping mechanisms.
Another problematic
aspect of the SFA program is the content of its stories. I have
found them to be extraordinarily ethnocentric and geared towards
a suburban middle class audience. Many feature children flying kites,
playing in their backyards, going on class field trips to farms,
and enjoying other experiences unfamiliar to the urban students
I teach. The Harlem neighborhood surrounding the school is filled
with many abandoned and dilapidated buildings, homeless shelters
and housing projects. The two-parent nuclear families (who rarely
encounter any significant problems or difficulties) featured in
the SFA stories are not a realistic or familiar example of family
units for these students. Many of the native English speaking children
I work with at Harriet Tubman Elementary School have significantly
reduced language skills, and the ESL students are likewise struggling
to succeed. Comprehensible input is one of the few resources language
teachers have to help such students access language and literacy.
SFAs inappropriate subject matter serves not to entertain,
but only to further reduce the potential effectiveness of its problematic
methods.
I realize that
many troubled schools adopt SFA to improve their literacy scores
and are compensated by state and local governments for such adoption.
I believe that its phonics, rather than comprehension, based approach
is both alienating and inappropriate for ESL and native English
speaking students.
Because assessment
is built into SFA, the program appears to be greatly successful.
My experience with students at Harriet Tubman Elementary School
contradicts this claim. Regardless of what we may want to be true,
Success For All is not a panacea for troubled schools despite the
good intentions of educators and administrators who choose to adopt
it.
Jessamyn Lee is a graduate tutor from New York Universitys Metropolitan
Centers participation in the SFA reading program. For a different
view of SFA, see Doug Laskens article ("Hooked On Phonics")
in the Jan/Feb 2000 issue of ALR, pp. 12-14. |